Hak and Yona flee Soo-Won’s men, but Yona’s mental and physical condition continue to deteriorate. Yona and Hak are both haunted by memories from the past. This was easily the best episode in the series so far. Whereas the first two episodes primarily took place in the present or the future, this episode is mostly spent in the past and it’s a great choice. A lot has happened already and I was concerned that the characters might start to wear thin if the action continued unabated for another episode. Thankfully, the staff realize this, and have devoted an entire episode to fleshing out Hak and Yona.
For example, in the first two episodes, it’s implied that Hak has romantic feelings for Yona. The flashback in this episode made it abundantly clear that this is absolutely the case, and raises bigger questions about the nature of their relationship. For example, how does Hak feel about the fact that his hands are clearly tied both by duty and friendship? We also get hints at the true nature of King Il and Soo-Won’s father, suggesting that the picture might indeed be more complicated than either Yona or Hak appreciate.
As a backdrop to this, we get Yona and Hak’s travails as they flee through the woods. It’s an interesting juxtaposition. Yona’s idyllic memories of childhood are contrasted with her haggard and borderline-catatonic appearance in the present. This contrast helps reinforce how emotionally devastating all of this is for Yona. In one memorable scene, Yona is covered in leeches while bathing. She reacts feebly and is too weary to even remove them from her body. Hak is forced to do it for her. It’s a sad moment that conveys how drastically Yona has changed from the happy-go-lucky character in the first episode.
I’m really excited to see where this series goes if it continues to be this good.
